08.31.2007 | Posted by Lindsay Haedt

Butt-In-Chair

All of this talk about creativity — and sometimes the lack thereof — had me thinking. On Tuesday, Naomi blogged about designer’s block, and she received some fantastic responses about how people cope with it. What confused me, however, is how many suggestions dealt with putting distance between one’s self and one’s jewelry. Overall, I got the impression that most people step back, take a breather, and give themselves some space. Then when they return to their jewelry in a few hours (or even a few days), they feel refreshed and ready to design again.

Naomi’s blog reminded me of another creative pursuit, writing. On my own time, I’m working on my first novel. As part of my endeavor, I joined a fantastic writing organization that has given me immeasurable motivation and inspiration. As I’m sure you know, writers are plagued by their own kind of block, the dreaded writer’s block. In my writing group, the most popular method of dealing with said block is not distance, but the exact opposite. We lovingly call it the butt-in-chair method. It goes a little something like this: Whether you’re blocked or not, you sit your butt in a chair and you write. If you don’t write, you’re going to get awfully bored staring at a blank computer screen.

So can you understand my confusion now? How can two creative disciplines have such different ways of dealing with creative blocks? And is this something that varies from individual to individual? Or is there some essential difference between jewelry-making and writing that makes their block-busting methods so different? I suspect it’s a combination of factors. The creative process is a very individual process; there are as many ways to create as there are people creating. And the fact that jewelry-making is a visual art might mean that people process it differently than writing.

I realize that there will be no clear answers to my questions, but I still can’t keep myself from wondering. Are there butt-in-chair jewelry artists out there? And what about give-me-space authors? Maybe, like many things in life, the ideal answer isn’t one extreme or the other, but a combination of the two . . . a golden mean. In fact, it might just be that jewelry-artists and writers have a lot to learn from each other . . .
 

Comments

  • fieldofbeads said:

    Hi Lindsay!  I'm one of those who responded to Naomi's blog on designer's block.  Allow me to pick up on what you said about "the fact that jewelry-making is a visual art ... that people process it differently than writing".   I tend to agree, and let me tell you why.

    I also write on the side from time to time - short plays, human interests, among others.   I have a distinct behavior when I experience a writer's block.  The pressure to deliver an article or a script within a defined period is truly unbearable when the blank sheet before me remains blank.  I do not have an exact prescription on how to treat this "writer's disease".  I guess each one has his own way of overcoming this state of inertia.  Yet similar to other struggling writers, I do not have the luxury of time to be re-inspired.  The butt-in-chair approach is inevitable.

    I recall when our newsletter editor several years ago was relentlessly following up my article on one of our outstanding female University Professors.  I've finished my interviews, gathered all the information I needed, but I still don't know how to build an interesting story.  I forced myself to randomly write what I know, what I feel, what my subject thinks and feels, and what I hope our readers would get from the article.  And there went the "aha!"  feeling.   I started to process my thoughts when I began to write from a reader's perspective.  Somehow I realized that our newsletter audience would be more interested to read what they still don't know about the subject - How did she see herself when she was still a student?  Who is she as a mother?  What are her personal interests, aspirations, hobbies?  The article turned out well and I never expected an international affiliate of our newsletter would re-publish it.

    Another interesting experience I had was when I couldn't start a drama script that we needed to present during a certain office event.  Then another "aha!" moment happened.   I used my writer's block as the topic of my script.  The story started with the scripwriter having no idea on what to present.  Different performance numbers represented the random thoughts of the writer.  Then I made the audience decide how they would like the story to end.  The characters then continued the short play with the best selected story ending.  It was so hilarious and everybody enjoyed the number.  The interactive concept turned out to be fun and it became the highlight of the event.

    I design jewelries for personal expression and satisfaction.  It is a bonus if people will like and buy what I make.  I write to tell a story and make people learn and experience something different.  This is where I can draw the line.  Since jewelry designing is for myself, I can buy time.  With writing, I have other people to consider.  It is a responsibility.

    I think busting the creative block is a unique personal experience - as you said it is "a very individual process".   There's a lot of variables in the artist's environment and in the artist's intentions that will affect how he or she will respond to the challenge.

    September 2, 2007 12:57 PM
  • Lindsay Haedt said:

    Hi, fieldofbeads! Thank you for the wonderful response.

    I get the impression that one reason you can treat writing and jewelry differently is that one is work and the other is for fun. I can understand how that is an important distinction to make.

    Would you say that, if someone wants to support herself with her jewelry, she has to learn to make jewelry regardless of whether or not she's inspired? Or do you think that waiting for inspiration is still the best way to go with jewelry?

    September 4, 2007 8:47 AM
  • fieldofbeads said:

    Hi Lindsay!  I've experienced this creative struggle when I had my own fashion accessories business several years ago.  I decided to give it up and just make jewelry designing a hobby, and earn something extra on the side to financially sustain it.

    I truly admire people in the creative business, like your team.  It's not easy to produce or deliver when inspiration and project schedule do not co-exist within the same timeframe.  I think a professional jewelry designer can not afford to wait for that great idea to come out.  She needs to create an environment that will inspire her, and allow it to be compatible with her creative objectives.  This involves knowing how her mind works, what kind of atmosphere triggers her ideas, what or who inspires her the most, who are the people she would like to be surrounded with, among others.  I guess that in the end, accelerating the creative process is to know oneself.

    September 4, 2007 9:53 PM
  • neonanobead said:

    My profession has very little creativity involved in it.  So, when I began beading, I immediately produced 64 bracelets and necklaces in about 2-3 months.

    I find my creative process so inspiring, unique and special that it made the decision for me not to do it professionally as a seller or dealer.  Beading is my hobby, my escape, my total indulgence.  Yet I hold beauty as the ideal shaping it.  Often the beads themselves reveal the creation it becomes.  That way it is always a surprise and a revelation to me.

    September 16, 2007 6:01 PM
  • Lindsay Haedt said:

    Thanks for your comments, neonanobead. I get the impression from your post that you decided to keep beading a hobby to protect it from the pressures and stresses of a job. And it sounds like, by keeping it a hobby, you are maybe even more productive and creative than if you had deadlines.

    Either way, it sounds like you are producing an incredible amount of jewelry. Butt-in-chair is fun when the chair is exactly where you want to be . . .

    September 18, 2007 8:34 AM

About Lindsay Haedt

I joined BeadStyle magazine in June 2005. At that time, I had never worked with beads before, but that changed very quickly. Now, my favorite afternoons at work are the ones I spend working on projects. It always amazes me how relaxing (and fun!) it is to make jewelry. In addition to working on articles, I also handle the administrative work and the BeadStyle forum.
Subscribers & Members

Become a Member

Register online for access to more valuable resource information.
Don't miss your connection to the reader forum, free projects, how to video, and more.

Not a Member?
Register  |  Why Join?

Subscriber & Member Log In

E-mail Address:
Password:
Remember me

Community Features

My Profile

Search Community

in

This Blog

Syndication

Copyright © 2008 Kalmbach Publishing Co.
Powered by Community Server (Commercial Edition), by Telligent Systems